That is, one shuffle at a time by many incredible artists and legends that have lovingly left marks on many a floor and heart. This section of our online home will continue to grow and be refined as new information is gathered. We welcome information, photos and links from our members to help create this wonderful online resource.
TheatreDance Home Page From its beginnings, the American art form of tap dance has been associated with four dancers: William Henry Lane, George H. It became popular around This was, some say, the creation of Tap in America as a theatrical art form and American Jazz dance.
When dancing, they would articulate rhythmic patterns through chugging, scooping, brushing and shuffling movements of the feet. These dancers came to be called Levee Dancers throughout the south.
White performers copied many of these intricate steps and eventually the Shuffle Dance style found fame within the minstrel shows. Tap Dance and Irish Clogging share deep roots. Clog dances were often performed in wooden soled shoes.
In Irish clog dancing, no thought is given to upper body movements. Almost rigid -- the shoulders and arms are kept motionless.
This trait is also evident in the early, Black "Buck and Wing" style. Reportedly, the most difficult of the Irish clogs are the Irish Jigs and Hornpipes. In some of these, the feet can tap the floor four or five times per second.
Irish clog dancer, John "Jack" Diamond - was considered one of the greatest "Jig Dancers" of his day.
Modern tap dancing slowly evolved though the years to Irish dancer - The Hornpipe of England was an elaborate pantomime of English sailors -- mimicking their duties while tapping their feet in time.
George Primrose is closely associated with a complicated Irish dance called the Lancashire Clog. Primrose, who clogged without wooden soles, is reported to have helped invent the style of routine that eventually became known as the Soft-Shoe. The Soft-Shoe is a form of tap only done with soft soled shoes without metal taps attached.
Performers originally wore all kinds of shoes to perform the Soft-Shoe and as time went on, the phrase, soft-shoe, was applied to many different styles of tap.
The most identifiable characteristics of soft-shoe are the smooth, graceful, floating movements and the delicate quality of the tapping -- performed in a very even and relaxed cadence. Occasionally, this is referred to as the Sand Dance.
Barney Williams, inbecame the first professional clog dancer to come to the U. The first professional clogging troupe in the U. During Clog contests of the 19th century, the judges would sit behind a screen or under the dance floor, judging the sounds rather than the body movements of the contestants.
For several decades clogging and tapping flourished successfully. However, by the end of the 19th century, the Irish clog dance all but disappeared due to the mixing of traditional Clog steps and African American tap dances.
The Black Crookgenerally considered to be the first American book musical, featured Minstrel and Clog dancers who danced very stiffly and gave rise to the term "Pedestal dancer.
InNed Wayburn created a show called Minstrel Misses. He coined the term "Tap and Step dance" in this musical play. This was the first time these names had been used professionally. Wayburn's dancers wore light clogs with split wodden soles.
Aluminum heel and toe taps did not appear until about It is known to have been an early 19th Century dance routine -- done by both Minstrel and Vaudeville performers -- that featured a flat-footed, heavily accented syncopation. The dance employed a character and style purportedly drawn on portrayals of boisterous Black males -- called "Bucks.
James McIntyre popularized certain variations of the rowdy, rhythmic Buck and Wing. The man called King Rastus Brown is universally heralded as the undisputed best of the best Buck Dancers.
Legend has it he always wore a coat covered in metals, a derby, and spats. Ironically, although Brown's tap steps live on, very little personal information about the master tapper has survived.
The "Shout" or Ring-Shout was a union of dance and song which gave birth to what were called camp meeting hymns and "work hollers" in the old south. The Cakewalk became a very popular group dance because it had "attitude" wherein the dancing couples made fun of people who think themselves important and superior.
The Shim Sham or Shim-Sham Shimmy was a tap routine done by vaudeville performers in the early s and is still taught in many tap dance classes today.Tap dance, style of dance in which a dancer wearing shoes fitted with heel and toe taps sounds out audible beats by rhythmically striking the floor or any other hard surface.
Because this was an era when tap dancing was a common skill among performers, a tap dancer had to create something unique to. The New York Public Library details the history of tap dance in America beginning with early forms of Irish and African dance and continuing on to the present.
The library also cosponsors the Gregory Hines Collection of American Tap Dance, a comprehensive set of tap resources. Dance History - Dance Origins History of dance is filled with interesting events that shaped its foundations, inventors that created new styles, periods of time when dance and music were put in the forefront of innovations, which all enabled it to become the popular social pastime of today.
Apr 22, · Tap dancing and its evolution is no exception to this rule and the many interesting components that are contained within this artistic tradition indicate a rich history of this performance art.
The purpose of this essay is to discuss and analyze the art of tap dancing by exploring its roots and demonstrating the importance of this . Tap dance - the indigenous American artform that has taken the world by storm one shuffle at a time.
That is, one shuffle at a time by many incredible artists and . Tap Dancing Essay. Submitted by: moophie The history of tap dancing stems from African American origins.
Former dancing such as Juda Dance, English Clog Dancing, and Irish Step Dancing were similar forms of dancing. In the mid 19th century performers of minstrel shows would satirize African Americans for their styles of dancing/5(1).