The line may have been spoken by someone else, at a different Hollywood mogul's funeral.
Share Why It Matters If your goal is to land an agent, pique the interest of a producer, or cause an actor to proclaim, "I have to play this role", you have no choice but to come out with guns blazing from Page One.
Agents, producers, actors, contest script readers -- or whomever you are lucky enough to get your script in front of -- will give you ten minutes of their time. In fact, I firmly believe they'll give you five.
If you don't hook your reader in 10 pages or less, expect your page masterpiece to be tossed in the trash. Generally, if the script hasn't hooked me in the first ten pages, I'm going to speed read the rest, write up the coverage, and pick up the next script off the pile.
A bad first impression sets a bias for how your reader judges the rest of your script -- and if you wrote poorly in the beginning, odds are the rest won't be much better. Getting interest in your story is a crap shoot most of the time.
Here are 4 crucial tips to improve your odds. Draw Your Reader In Immediately In today's insta-matic social media culture, our attention span for entertainment material has shrunk from hours to minutes, and possibly seconds. It makes sense -- we have access to millions of videos from our laptops, tablets, and phones -- so we judge immediately whether something is worth viewing, and if it isn't, we move on.
I believe this has begun to infect movie culture as well. This is why trailers have become a crucial advertising tool more than ever before -- companies have learned to create masterpieces in seconds to convince viewers they should spend two hours watching their film.
Think of your reader approaching your script the same way you approach a trailer, or a YouTube video that's gotten some buzz recently. If nothing happens in the first 30 seconds, do you stick around?
Set the tone immediately. Let the reader "feel" what your script is about in the first words on the page. This doesn't mean crazy action though it could be.
The Bourne Identity This is what I mean by "with guns blazing. At this point you want to read the next 9 pages, and probably the next That's the hook you must find in order to reel your reader in.
You can write the greatest action sequence of all time, but if you don't connect your audience to the protagonist, no one will care. A common mistake for screenwriters is to assume that to hook your reader, you need to write an over the top, Michael Bay style action sequence where the world is blown to pieces and your action hero has already escaped death six times.
It might be exciting to read, but it's downhill from there if the climax happened in the opening sequence. As we go further in to the opening sequence of the Bourne Identity, we come to realize that Jason Bourne, our protagonist, has amnesia and has no idea how he ended up in the ocean -- and more importantly, he has no idea who he is.
Now that's a hook. We've yet to see an explosion, gun fight, or car chase. Some films can get away with the big action opener. A perfect example is the famous opening sequences in the James Bond films; each film attempts to one-up the last with incredible action set-pieces.
Look at 's Skyfall and the first 10 minutes of the film, from the opening frame, is pure adrenaline rocking insanity. Because we've already been drawn in since the entire world knows who James Bond is.Jun 06, · How to Write a Screenplay Synopsis.
In this Article: Article Summary Synopsis Template and Sample Synopsis Summarizing the Plot Following Basic Guidelines Getting Your Point Across Community Q&A A screenplay synopsis summarizes a screenplay for an agent, director or producer.
If the reader likes the synopsis, they might ask to see the screenplay itself. About Dan J. Marder. Dan J. Marder was born in Chicago in He began writing in high school and mastered his storytelling craft while working in the film business in Los Angeles.
With the average payment for a screenplay over $,, every writer knows that screenwriting is where the money is. In this guide, successful screenwriter and teacher Cynthia Whitcomb shares her extensive knowledge on writing for the screen.
Nothing can inspire you to write your screenplay faster than seeing a really good (or bad) movie. Take a break and go to the movies. Watch them in a big theatre with a crowd.
Don't let the seemingly endless parade of screenwriting elements scare you away from writing your first script. Since a familiarity with the basics of the craft is half the battle, The Writers Store has created this handy screenplay example and overview on how to write a screenplay to help you get up to speed on screenwriting fundamentals.
Film script writing is an art-form, and creating art is never easy. Every time you watch a TV show, a film, or play a computer game, you’re taking in the work of a scriptwriter.